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The first-person vantage point allows the audience to see things through the eyes of the lead characters, Elwood and Turner. This perspective creates a startling effect that is sublime in its best moments. The film is confident in its approach, committing to the first-person perspective for nearly its entire runtime.
The film is already being talked about as an Academy Award contender, with a New York Times critic declaring it the year's number one film. Director Ross recently won at the New York Film Critics Circle, an award often seen as a precursor to the industry's biggest prizes.
Despite the technical challenges, 'Nickel Boys' was able to pull off the first-person POV convincingly. The film feels like an unlikely gambit, but it's a risk that has paid off, creating a film that is both celebrated and ambitious.
The brilliance of Nickel Boys is that the camerawork isn't just a visual gimmick; it's tied so deeply to the film's themes that it allows the film to pull off a final act reveal that, before I saw this adaptation, I believed could only be achieved in a novel.